• Audio Commentary from Film Historian Richard Schickel
• Audio Commentary from Christopher Frayling
• Leone's West
• The Leone Style
• The Man Who Lost The Civil War
• Reconstructing The Good, The Bad and The Ugly
• IL Maestro: Ennio Morricone and The Good, The Bad And The Ugly - Part One
• IL Maestro: Ennio Morricone and The Good, The Bad And The Ugly - Part Two
• Deleted Scenes
Extended Tuco Torture Scene
The Socorro Sequence: A Reconstruction
• Vignettes
Uno, Due, Tre / Italian Lunch / New York Actor / Gun in Holster
• Trailers
Original Theatrical Trailers / French Trailer

Blondie (The Good) is a professional gunslinger who is out trying to earn a few dollars. Angel Eyes (The Bad) is a hit man who always commits to a task and sees it through, as long as he is paid to do so. And Tuco (The Ugly) is a wanted outlaw trying to take care of his own hide. Tuco and Blondie share a partnership together making money off Tuco's bounty, but when Blondie unties the partnership, Tuco tries to hunt down Blondie. When Blondie and Tuco comes across a horse carriage loaded with dead bodies, they soon learn from the only survivor (Bill Carson) that he and a few other men have buried a stash of gold in a cemetery. Unfortunately Carson dies and Tuco only finds out the name of the cemetery, while Blondie finds out the name on the grave. Now the two must keep each other alive in order to find the gold. Angel Eyes (who had been looking for Bill Carson) discovers that Tuco and Blondie meet with Carson and knows they know the location of the gold. All he needs is for the two to ...